From 23 to 25 August, Sõprus Cinema will screen three films in which Arvo Pärt’s music plays an important part. This year’s Arvo Pärt Centre Film Nights will focus on works by the Russian director Andrey Zvyagintsev, who will also be attending the screenings in Tallinn.
About the Centre
The Arvo Pärt Centre was founded in 2010 by Arvo Pärt and his family with the aim of creating opportunities for preserving and researching the creative heritage of the composer in his native land, Estonia, and in the context of the Estonian language.
The centre is situated in Laulasmaa, 35 km from Tallinn, on a peninsula with magnificent natural surroundings – within a pine forest near the sea.
The building for the centre has been named Aliina – a name that symbolises new beginnings in Pärt’s music. It was with the piano piece “Für Alina” that the tintinnabuli style was introduced in 1976.
The core of the Arvo Pärt centre is the archive, which brings together the entire creative heritage of the composer and related information and documents, both in physical and digital form.
The Arvo Pärt Centre interviews Russian musicologist, teacher and singer Svetlana Savenko, who has studied the aesthetics and style of Arvo Pärt’s works, where she talks about her experience of Arvo Pärt’s work.
Music in Movement creates a guide to the life and work of the greatest composers of contemporary classical music
The Music in Movement (MiM) project highlights the richness of European contemporary music by tracing the stories of four eminent composers: Louis Andriessen, Pierre Boulez, Arvo Pärt and Kazimierz Serocki. Through accessible themes, quizzes and, most importantly, a wealth of music, MiM reaches out to a broad audience in a new and engaging way. At the same time users with a background in music will be able to discover interesting storylines as well as delightful footage.
The 9th European Music Analysis Conference (EuroMAC 9) took place in Strasbourg from 28 June to 1 July 2017, with hundreds of musicologists from all over the world. This year’s conference focused on two larger topics: the future of musicology, and the relationship between different expressions of music analysis and music (composition, interpretation, improvisation, audience reception).